	
    {"id":1845,"date":"2018-11-22T21:57:01","date_gmt":"2018-11-22T20:57:01","guid":{"rendered":"https:\/\/colosseo.it\/sito\/monumenti\/museo-del-colosseo\/"},"modified":"2025-03-30T00:30:17","modified_gmt":"2025-03-29T23:30:17","slug":"the-museum-of-the-colosseum","status":"publish","type":"monumento","link":"https:\/\/colosseo.it\/en\/area\/museums\/the-museum-of-the-colosseum\/","title":{"rendered":"The Colosseum Museum"},"content":{"rendered":"<h2>The Colosseum tells its story<\/h2>\n<p style=\"text-align: justify;\">The completion of the <strong>Museum of the Colosseum<\/strong> on the second level of the amphitheatre is a first step in rethinking of a broader guided use of the monument by following thematic routes through its various spaces open to visitors. The starting point will be at specific landmarks signposted on the spot with carefully designed and effective signage that identifies and enhances significant itineraries. The archaeological excavations, studies and research work in recent years, presented in exhibitions and issued in richly informative printed publications, have made it possible to increase and flesh out our knowledge of the amphitheatre in the course of its long life, understanding the ways it has been reused, and ideological interpretations of it and finally presenting them with ever greater completeness.<\/p>\n<p style=\"text-align: justify;\">In the Museum\u2019s exhibition itinerary, the most notable works from the building and from the excavations inside it are organised so to reveal the salient features of the monument, through hypertextual and hypermedia presentations, while also explaining the reception of the Colosseum in the history of culture.<\/p>\n<p style=\"text-align: justify;\">The starting point is the section on architecture, with the presence of parts representing the whole, with capitals and fragments of <em>transennae<\/em> (barriers) and striking reconstructions of the <em>vomitoria<\/em> (passages). At the same time the display evokes the power of the monument as a model of architecture over the centuries.<\/p>\n<p style=\"text-align: justify;\">On a pillar appears the signature left by Hubert Robert on the \u201cliving body\u201d of the <a href=\"\/sito?p=1736\">Colosseum<\/a>, in a sort of existential identification with it by the French artist. In the paintings reproduced in the illustrations, he faithfully portrayed the ways the ground floor was used, reflecting functions that were already common in the late Middle Ages.<\/p>\n<p style=\"text-align: justify;\">A subsequent section illustrates the functioning of the amphitheatre and gives an account of daily life inside it through models and finds exhibited in a showcase.<\/p>\n<p style=\"text-align: justify;\">The following bay presents the profession of the gladiator and the subjects of the <em>venationes<\/em> (animal hunts) through the presentation of graffiti, mosaics and reliefs and brought out with powerful images from G\u00e9r\u00f4me to Scott. The other side is devoted to the spectators, with the <em>loca<\/em> (seats) for senators. The display brings out the significance of the inscriptions, with a diagram of the divisions of the tiered seating.<\/p>\n<p style=\"text-align: justify;\">An extraordinary repertoire of marbles presents the rich sculptural ornamentation of the monument. Wherever possible, the original locations of the decorations are presented visually.<\/p>\n<p style=\"text-align: justify;\">This is followed by insights into the life of the Colosseum in the Middle Ages and its \u201cChristianisation\u201d and, as a counterpoint, the evocation of a \u201cmagical\u201d and demonic Colosseum.<\/p>\n<p style=\"text-align: justify;\">The scholarly reconstruction in the model made by <a href=\"\/sito?p=2562\">Lucangeli<\/a> responds to the \u201cleafy arches\u201d of Romantic views and the writings of visitors on the Grand Tour.<\/p>\n<p style=\"text-align: justify;\">The route comes to an end with a section on the ideological reuse of the monument as a symbol of the new empire during the years of the fascist regime.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The Museo del Colosseo&#8221; is on the second level and illustrates the history of the monument, starting from ancient times when it was used for spectacles to the new occupation of its spaces in the Middle Ages, to its great 19th-century restoration and so down to the present.<\/p>\n","protected":false},"featured_media":2484,"parent":2413,"menu_order":42,"template":"","acf":[],"_links":{"self":[{"href":"https:\/\/colosseo.it\/en\/wp-json\/wp\/v2\/monumento\/1845"}],"collection":[{"href":"https:\/\/colosseo.it\/en\/wp-json\/wp\/v2\/monumento"}],"about":[{"href":"https:\/\/colosseo.it\/en\/wp-json\/wp\/v2\/types\/monumento"}],"version-history":[{"count":34,"href":"https:\/\/colosseo.it\/en\/wp-json\/wp\/v2\/monumento\/1845\/revisions"}],"predecessor-version":[{"id":50838,"href":"https:\/\/colosseo.it\/en\/wp-json\/wp\/v2\/monumento\/1845\/revisions\/50838"}],"up":[{"embeddable":true,"href":"https:\/\/colosseo.it\/en\/wp-json\/wp\/v2\/monumento\/2413"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/colosseo.it\/en\/wp-json\/wp\/v2\/media\/2484"}],"wp:attachment":[{"href":"https:\/\/colosseo.it\/en\/wp-json\/wp\/v2\/media?parent=1845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}